Forget
for a moment the swirling Maelstrom of Life about you. Picture yourself
alone at Sunset. Behold far off in the distant sky, the Sun in all
its glory is going to rest. A blaze of light, a dazzling myriad effect
of color as the sun, a ball of fire sinks slowly below the horizon.
And then, between the setting of the sun and the falling of the shades
of night, the colors fade to tints, -- remembrances as it were of a former
brilliance. Know now the infinite rest that comes only with the divine
quiet of that all too fleeting hour at twilight. Then a little rustle,
a movement of the leaves and tree boughs as the breeze rising with the
coming of the dusk sweeps o'er the land and sea. An echo here, a
reminiscense there and an answer from all Nature in tune, as the Sun's
last dim rays fade in the distance, -- and night falls; -- A Japanese Sunset.
-- Russell O. Weiss |
| About the composer: Jessie L. Deppen was a woman who lived in Cleveland, Ohio, and taught piano. She wrote a number of light waltzes and themes, some of which were used in motion pictures. "A Japanese Sunset" was used in the Vitaphone soundtrack of the silent film "Old San Francisco" (1927) with Warner Oland and as the opening theme for the serial "Shadow of Chinatown" (1936) with Bela Lugosi. |
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